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Hello 1919

Room Magazine, Canada, 2021

 

Hello 1919, this is 2020.

It’s summer and I sleep

in the nude. No one wears

a mask in my dreams,

not even the dead who

lounge in windowless

rooms socializing. 

Every night I wake

to feed the cats.

When I return 

the dream continues 

uninterrupted.

I’m not afraid 

to touch anything.

I cut my own hair

and toenails. Now

they’re designing 

new clocks for us,

changing the increments

daily according to the rate

of infection. Last year 

I made a checklist

of places I’d most

like to visit—Winnipeg 

and Cotopaxi, my

ancestors’ path, 

and the Methuselah

tree in the Inyo forest. 

This year I wish only 

for a happy return. 

Hope you are

staying safe.

 

Featured poet in Cultural Weekly. 

2015 Pushcart nomination for "Our Aquarium."

 

Poem "Battle Dressings"

in *82 Review Issue 2.2 (Spring 2014)

 

Three poems in This Assignment is So Gay: LGBTIQ Poets on the Art of Teaching (Sibling Rivalry Press, 2013). ALA-honored anthology, Lambda Literary Finalist

Short story "Oh My Godzilla" published in the anthology, Mentsh, On Being Jewish and Queer (Alyson Books, 2004.)

Multimedia

 

"Unrehearsed," a video poem, 2021

 

"Talking Ban," a video poem

 

Blood-Jet Radio Hour with Rachelle Cruz, Episode #105, featuring Megan Volpert and poems by This Assignment is So Gay contributors Bonnie S. Kaplan and Douglas Ray

 

"All Access Pass" (video), an original essay performed at The Santa Monica Playhouse (2009)

 

A Manzanita Yad

Sinister Wisdom, 2021

 

I once whittled a yad from a fallen twig

of the manzanita bush, only I didn’t

think it yad at the time.

 

As with most whittling I did not know

where I was headed. One end of the sprig

was forked, evidence of branching,

 

and on the other I carved a single 

claw, a talon really, which tipped it

into the magical, a sorcerer’s stick.

 

Manzanita has a natural patina

as it grows in nature and needs little 

polishing, yet I sat for many 

 

hours burnishing with a stone,

adding my own wear and shine

to an already tough and ruddy grain.

 

Torah and Hebrew were the farthest

thing from my mind that day in the forest,

yet something sacred was afoot.

 

I thought my twig a bird’s perch, 

a decorative fetish, not a Jewish ritual 

pointer. But that is so like Judaism,

 

to prepare you in ways dictated 

by a mystery, whispering hold on,

you will need this one day.

Selected Work

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